The Russell Memorial Pipe Organ
Compiled by Carol Abrahamson
The
vice-president of the Reuter Organ Company, Mr. C.B. Russell, and his brother
Mr. Lloyd E. Russell gave a new “state-of-the-art” pipe organ to the church as
a memorial to their parents in 1938. It
was later dedicated on March 20, 1939, by Dr. William H. Barnes, Mus. Doc., self-described organ architect, and
recitalist. At the time of its
installation, it was featured in an editorial by the same Dr. William H. Barnes
in The American Organist and
described as a “Reuter four-manual of unusual merit.” ( The American Organist,
1938, p.233). Of course, the fact
that Dr. Barnes helped design the organ may have colored his evaluation.
Nonetheless, this organ was conceived at a time when organ designers were
changing from a thick Romantic sound to one of more clarity. Dr. Barnes played a part in adjusting scales
in its organ specification in order to reach that goal. According to Dr. Barnes, “the organ under
discussion is certainly in my mind an excellent example of the blending of the
older and newer ideals of tonal design.
Such an organ has my most cordial approval.” (The American Organist,
1939, p. 233). The new organ was
well-received by the church and the general public.
This
auspicious beginning provided a 44 rank instrument that served
As
it turns out, Dan had been tinkering with organs for a number of years and knew
quite a bit about organ mechanics. It
didn’t take long for him to see that the Russell Organ had fallen into serious
disrepair and was now quite difficult to play because of dead notes, water
damage, and other mechanical problems.
Ken Pine was chairman of the Music Committee at that time and listened
intently to Dan’s description of problems with the organ. Together they decided to invite the
Administrative Board to listen to an organ demonstration that would highlight
its problems and then ask them to authorize repairs. It didn’t take long for the Administrative
Board to agree that mechanical problems were indeed interfering with the use of
the organ. By November, 1965, fixing
mechanical defects had been accomplished using Dan's expertise and church
funds, the organ had been re-tuned, and a rededication scheduled. This began a
period of rebuilding and tonal modernization.
Dan had since become a Reuter voicer and knew
what was required. He and his organ friends were able to fix mechanical
problems as they occurred, and Dan began improving the organ’s sound.
The
church thought the organ was fixed for good, until August 1966 when water
poured into parts of the organ through a leaky roof during a heavy rainstorm.
Parts of the previous years’ restoration were ruined. Unfortunately, water
damage recurred for the next several years.
In 1971, Reuter had to be contracted to build new wind chests to replace
those damaged by water over the years.
While the wind chests were being replaced, Dan took advantage of the
chest removal to enlarge and renovate other parts of the organ. Many church people as well as some Reuter
employees, who were Dan’s friends, contributed hours of labor to accomplish
this renovation. The organ increased
from 44 to 54 ranks by the time this work was complete.
Unfortunately,
this was not the end of the “water saga”. On December 16 1972, Dan wrote in his
organ log, “Found that the roof is leaking on the bass end of the Oboe-Tierce-Geigen chest in the Sw. Pulled # 1-12 of 4’ Oboe as
they were ciphering. Chest was
full of water, which blew out when organ was turned on. Immediately called Steve Sublett (Chairman of Trustees) to let him know and to have
him investigate our insurance relative to the organ and water damage. Here we go again! D.F.A.” This meant more work. Reuter was again
contracted to make repairs to chests in the Swell and Choir organs to the tune
of $5,888, not too much considering that the organ by then had an estimated
replacement value of $100,000. When
this work was complete, Dan looked back over his records and discovered that
for the previous eight years, the work of 75 individuals, and 2,300 hours of
labor had been donated toward the organ project. Then in November 1973, the
organ was featured in recital again with Burton K. Tidwell playing an organ
that had 4000 more pipes than it had in 1938.
Rainy
years come in cycles, and if you don’t take care of the underlying causes of
water in the organ, you are likely to have problems again. In January 1974, water began to leak
again. Dan discovered that the plastic
he had installed on the ceiling of the Choir chamber was full of water, ready
to fall on the organ. The organ did not
get wet, thanks to the plastic. However,
Dan did call Ken Pine, Steve Sublett, Bev Burrows, and John Kohl to explain the situation to
them. His hopeful note shouts, “We
should get some action now!” If memory serves, the roof finally got
repaired.
During
1981-1983, the sanctuary was closed for renovation. The church had decided to remove the balcony
to effect ceiling truss repair, revise the chancel arrangement, renew the
sanctuary painting, renovate the youth area, weatherize windows, repair more
water problems, and rebuild the organ console, the latter at a cost of $27,000.
The organ console exterior was retained because it matched the original 1938
chancel woodwork built by the Reuter Organ Co., which also included the pulpit,
lectern, and communion table. The combination
action, the pedal keyboard, the stop jambs and the draw-know units were
replaced. The new combination action was
state-of-the-art “ Solid-State Duo-Set with
Quad-Memory”, every organists dream. Now
Dan could use more presets to allow for quick registration changes, as is often
required during any complicated service.
February
1985, brought heavy roof ice to FUMC forming an ice dam, which caused water to
cascade into the choir organ chamber once again. This time Dan completely lined the choir
chamber ceiling with sloped fiberglass connected with tubing to a drain in
order to discharge any water that might fall over the organ at some future
date. (As of 2003, the chamber is still dry!)
In
April 1986, the Memorials Committee asked the congregation to dream about
potential projects for future memorials. Dan started dreaming. He decided that it was finally time to
complete the organ’s specifications; this would mean adding two new exposed
stops to the organ: a 16’ Pedal Principal and an 16’ Trompette en Chamade to achieve a
more massive sound for festival occasions. Dan’s letter to the Memorials
Committee would set the wheels in motion; but his letter remained in the files
of the memorials committee for many years, awaiting
the time when an appropriate substantial memorial gifts might become available.
FUMC
continued to improve its facilities for the future. Unfortunately, the next renovation proved to
be costly to the organ. Before
construction, Dan had alerted the pastor and the contractor about the need to
protect the organ from construction dust.
In spite of warnings, early in 1986, while in the process of improving
office and education space and building a new fellowship hall, contractors
allowed rock and plaster dust to filter into the sanctuary. During May of 1987, all of the pipes had to
be removed, cleaned, and some re-voiced because of dust damage. This hard
lesson cost both the insurance company and the church. The church discovered
that the organ was insured only up to $400,000.
The current estimated replacement price of our organ at the time of the
damage was $631,085. Litigation determined that the church would have to pay
one-third of the repair costs. This event caused the church to update its
insurance plan to avoid future problems.
There was a silver lining. Dan
took this opportunity to paint all of the organ chambers and to consider
re-scaling and re-voicing selected stops.
There was a goal in his mind.
John Walker, organist at
Dan
continued to work behind the scenes. By
September of 1988, the organ specification showed 78 Stops, 118 Ranks, 6947 Pipes and had undergone a complete tonal refinishing.
As a special gift to Dan, there was a second rededication in April of
1989. This also happened to be Dan’s 25th
anniversary as the church organist. The
festivities included special music, a festive potluck, and a card shower for
Dan. During 1990 Dan built a new tuba
stop for the organ, something he had always wanted. By June 1990, the
specification showed 80 Stops, 120 Ranks, and 7028 pipes. Recitals by Marie Rubis and Michael Bauer in April and June gave Dan
additional incentive and positive feedback that his work was done well. Dan continued to build chests and pipes; he
continued to do all of the accompanying work to install them as well. Bob Vaughan, church member and Reuter
employee, continued to assist him with engineering. The church decided to set up an organ repair
fund from which Dan could draw periodically.
The Music Committee had become aware that an ongoing fund would be
necessary for the future when Dan is no longer able to maintain the organ as it
should be.
Meanwhile,
the church had identified a substantial memorial from the estate of Arlene Schaake. Dan’s proposal of 1986 was to finally be
implemented: a 16’ Pedal Principal and 16’ Trompette
en Chamade were to be installed on the rear wall of
the chancel. Arlene had always loved the organ and the music of the church; she
would have enjoyed the new additions tremendously. The pipes were built and the chancel revised
by Reuter to accommodate them. A new rededication during church services was
held on Sunday, July 17, 1994. With these additions, the organ now had a sound
that had long been missing, the Pedal Principal, and a festival trumpet to make
worship even more exciting than it already was. This was also a time to honor
Dan for 30 years of service to the church.
At least 163 volunteers had provided over 7,700 hours of work to
maintain and develop the organ since 1964. Our organ now had 83 Stops, 122
Ranks, and 7114 Pipes and a completely new look. Another recital, this one by Thomas Murray of
The
improvements continued! A MSP 1000 combination action was added; re-voicing,
rebuilding, replacing magnets, re-wiring--on and on the project
progressed. In 1999, the façade pipes
and the Trompette en Chamade
were temporarily removed to accommodate chancel ceiling repair and
painting. Removing pipes was done by
Reuter to prevent damage to them. In 2000, a solid state switching system was
delivered but not immediately installed.
In 2003 Dan discovered that the Solo primary and tremolo needed to be
re-leathered. The leather was over 60
years old and ready to be changed. Then
in February Dan began wiring the new choir Peterson relay (the switching
system), which had been waiting for his attention for three years.
Dan’s
goal of completing the specification is coming closer to fruition.